Only a boy preacher who had grown up to become one of America's most eminent writers could have produced a play like The Amen Corner. For to his first work for the theater James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers.
For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's.
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